|

by Dan Perkins
When
you talk with Tracie Dean
Ponder, you can feel the passion and energy
right through the phone. She gives an electrifying interview.
Ponder
also puts a lot of passion into her work, as
evidenced by her
inspiring new documentary
entitled, ONE ORDINARY WOMAN, ONE EXTRAORDINARY
JOURNEY.
The documentary was a hit at the
12th Annual Black Harvest Festival of Film
and Video, held each August, in
Chicago, at the Gene Siskel Film Center.
The Center, which is part of the School of the Art
Institute of Chicago, features works
by independent filmmakers as part of its regular
calendar of screenings and as part of major
festivals scheduled throughout the year.
The Black Harvest Festival has steadily grown
into one of the most respected festivals
showcasing works that reflect the experiences
and perspectives of people of African descent.
Ponder's
documentary is an inspiring account of how her
mother, Carrie Ponder, single-handedly
raised eight amazing children after leaving an
abusive marriage with little money and no means
of escaping some of Chicago's toughest
neighborhoods.
Tracie Dean, who is the youngest
of the Ponder children, now lives in Southern
California. She
attended the first of the two
screenings of her work during the festival, but
had to return to Los Angeles shortly thereafter.
diversityinbusiness.com (dib) is pleased to
continue to highlight emerging filmmakers whose
work
standout during the Black Harvest Festival.
This year, we recognize Tracie Dean Ponder.
The following
is a transcript of my conversation with Ms. Ponder, which has been edited for
continuity and clarity.
|
DIB: |
Was the Black Harvest Festival of Film and Video
the world premiere of your documentary, ONE
ORDINARY WOMAN, ONE EXTRAORDINARY JOURNEY? |
|
TDP: |
No, the premiere
was in the Black Hollywood Film Festival in Hollywood California; but the story actually
begins before that.
I first had a
premiere screening for my family of peers as I
was nearing completion of the piece. The
screening was in a nice little restaurant with a
little screening area. After the
screening, someone from the Black Hollywood
Film Festival came up to me and said they
would love to show the piece in their festival.
At the time, I was just seeking audience
feedback. I planned to do
some more editing; but decided to let them
show it in its rough form.
The version shown
at the Black Harvest Festival was re-edited.
I really tightened up the piece.
Now, I’m
purposefully exploring opportunities to get it
into other festivals. |
|
DIB: |
Will you consider home distribution? |
|
TDP: |
Absolutely. I
would first love to have the documentary seen on
television – maybe on Lifetime,
Showtime, or HBO. Maybe it could be slated for Black History Month
in February, or Women’s History Month in March.
Then I would
like to explore a package deal, maybe with
Blockbuster, or maybe through an independent
distribution channel. |
|
DIB: |
How did this project come about? |
|
TDP: |
It is something
I’ve wanted to do for a while. I’ve been in
California for nine years now. I earned my
masters in literature from DePaul University
in Chicago, and then took a summer screenwriting
class. I fell in love with screenwriting and
knew it was something I wanted to do
career-wise. I moved to L.A., and began
learning about the industry and the whole
filmmaking process. I went to UCLA to study
film and started doing a short film. Over the
course of the project, I began thinking about my
mother.
I always thought
my mother was phenomenal. I admired her for
what she was able to accomplish. I told her of
my interest, and we first talked about doing a
book. We talked about that for a while.
When you’re trying
to do a group thing, it’s difficult to get
mobilized. You have to deal with things that
happen in other people’s lives, and you find
people have other priorities. I decided to make
the project my priority, especially after mom
was diagnosed with cancer. |
|
DIB: |
So, you came to Chicago to do the
project? |
|
TDP: |
Ever since I moved
to California, I’ve come back to Chicago at
least two or three times a year. When I
returned to do the project, I had a
cinematographer accompany me to film mom.
I
planned everything before I came - the
interviews and everything. Then I came home,
and within three weeks, bam, I interviewed as many
people as I could and I went around and shot
scenes from our old neighborhoods.
The re-enactments
of our childhoods that appear in the documentary were
shot in L.A. Chicago
has been a very supportive environment for
me, but
L.A.
was were my film community exists. In
L.A., it was just easier for me
to mobilize the resources I needed to do
those scenes.
|
|
DIB: |
You obviously have a base of support in L.A., that’s
good. L.A. can be a tough place. |
|
TDP: |
Oh, man! It’s a
tough place alright.
I found that if
you focus on the things people tell you about
this place - about the racism, and how few
movies are made with people of color, and all of
the challenges women face in the industry - you
can get caught up in the negativity, and that
will cause you to get depressed and grow tired of
trying.
It's true.
There’s a lot of nepotism in the business; and a
lot of blacks haven’t made the connections
needed to flourish in the industry.
I've also found
you need money. If you don’t, you end up
working a full-time job. You spend your weekends
and evenings learning the industry and
trying to break in; and then that becomes
another full-time job. If you have kids,
it gets even harder.
Coming from
Chicago, and then New York, I knew you had to
hustle to avoid getting side-tracked. You really
have to be willing to make a lot of sacrifices,
or before you know it, ten years have passed.
When I first moved to L.A., I didn’t watch TV at
all. I worked during the day, came home and
wrote. I put the time in.
I think people can
be successful, if they have enough determination
and drive; but you have to keep pushing. You
also have to be able to handle the rejection.
I find that
success comes from constantly doing good work
and building up a library of things so that when
opportunity finally comes along, you don’t have
just one thing, you'll have a whole library of
product. You'll need that
to fully take advantage of the opportunities
that come along. |
|
DIB: |
My
guess is your mother had a lot to do with
cultivating your drive and discipline. |
|
TDP: |
Oh, she did. She was just
amazing.
When I went to NYU
(New York University), I had been given
some money for school, but I was having problems staying
there. I called my mom, crying about my
hardship and I told her I wanted to come home.
She said, “I don’t
want to see you here.”
I just thought
that that was the meanest thing in the world. I
said, “What!!!?”
And, she said,
“Make it happen, and I’ll talk to you later.”
I was just blown
away.
There I was in my
dorm room, on the one side was of my roommate,
and she had everything, and on the other side
there was me, and my side was empty.
I had gotten into
trouble for
sneaking into the dining rooms because I didn’t
have my meals covered. I was in a desperate
situation. I really had to get my hustle on,
and find people who could help me.
I discovered that
I had to
push beyond the financial aid people and find
people who had funds to help me. It was hard.
A few of the deans weren’t very helpful. They
told me the school wasn’t for everybody. One
suggested that I go to a state school in Chicago
for two years, get my grades up, and then
apply for some of the more prestigious programs
and scholarships.
I was devastated,
but I persisted because I knew my mother said,
“Make it happen!”
In the end, within
a few weeks, I received a full, four year
scholarship - all because I persisted. |
|
DIB: |
Wait a minute! You
were on the brink of disaster and you suddenly
ended up with a full ride, how did that happen? |
|
TDP: |
To be honest, it
was God.
In the midst all of the
“no’s,” I kept listening for information that I could use to move forward.
While they’re
telling you “NO,” I was also listening for the name of
someone who had more information and could
possibly help. I learned to listen very carefully.
I was meeting with
the dean of the college of arts and
sciences, and while he was telling me “no,”
he mentioned the Martin Luther King, Jr.
Scholarship. When the meeting was
over, I asked his secretary if she knew anything
about the scholarship. She was an African
American women who told me that the dean at the
school of nursing had the scholarship; but she
warned me that it would be difficult to get an
appointment with her.
When I tried to
make an appointment, I was told I needed to deal
with the dean at my own college; but I was
very persistent and said
that I just wanted to meet the dean.
Eventually, I was
able to meet her, and it was really interesting
how things worked out.
At the time, my
mother was receiving a lot of awards and
recognition for all she had done with us. She
was even featured in Ebony
magazine. It so happened that that same issue of
Ebony was on the dean’s desk, and
it was opened to the page
with my mother's story. After I introduced
myself, the dean said, “Ponder? I was just
reading about a family from Chicago named
Ponder. Is that your family?”
The funny thing
is, I didn’t know my family was in Ebony.
I was shocked, but I told the dean that that was my family. The dean then told me she was
also from Chicago and that Margaret Burroughs
(a co-founder of the DuSable Museum in
Chicago) was her godmother.
One thing led to
another, and the dean sent me back to my room
and told me that she would send for me the next
day.
The following day,
the head of housing came to my room and told me
my room and meals were taken care of and that I
needed to see the dean of nursing. I did, and the dean gave me a full
scholarship, plus a book stipend. Her was
named Patricia Carey. I will never
forget her.
I was so excited.
I called my mom and told her what had happened,
and she responded matter-of-factly, “That’s very
good.”
She just expected
us to make things happen. |
|
DIB: |
While your mother had high expectations of you,
I suspect she also had a great deal of
faith. In the documentary, your brother said he didn’t like going to
church, but it seems church was a big part of your
lives. |
|
TDP: |
My mother was
absolutely a woman of faith, and I’ll tell you
something that was not in the documentary. My
mother would send us to church, but she wouldn't
go with us.
What I found as I
got older, was that my mother would keep her
Bible and a diary under her pillow. She also
use to receive The Daily Word, you
know that little booklet of daily affirmations;
and they were everywhere.
My brother and I
figured out that she sent us to church to have
some personal time, time away from the kids, and
time with God. |
|
DIB: |
I
gather from the close of the documentary that
each of you walked way with your own faith in
God. |
|
TDP: |
Absolutely!
Obviously in different ways, but we all believe
in God, and in a Higher Power, and most
importantly, we believe there are no constraints.
Some people who
have spirituality are still unable to think
outside the box. They don’t push for what they
want. They are unwilling to say, “Although I
don’t see the next step, I’m going to step out
there, and God is going to meet my need.”
I think that’s the
key. It certainly has been for me here in L.A.
I went out on my
own three years ago, as a filmmaker. No one gave
me money. I just stepped out in faith.
God has kept me
and kept my family for so long, I couldn’t
believe He’s brought me out here for
nothing. I knew I had the smarts. I just had to
figure things out. But first, I had to step
out - to show God that I believe and trust in
Him fully - and I had to know that He would meet
my needs.
I’ve had my
business for three years now. I do videos;
develop and produce television shows; and I have
optioned some of my screenplays. I do
everything from writing, directing to producing.
It’s a tough
business, a very tough business, but you can
succeed if believe you can - if you set your
mind to and believe that it is possible. |
|
DIB: |
How has the documentary changed you and your family? |
|
TDP: |
I’ve lived with
the documentary for a while now, and it was like
going through labor. When I finished it, I was
concerned about how the family would respond.
After all, it’s their story too, and their mom.
While I took the
reigns and did what I had to do t get it done, I
wanted my family to be happy with the piece.
It feels good to
be able to paint a somewhat accurate picture of
my mom, especially with limited resources.
It's also
wonderful to know that my brothers and sisters
were touched by it. My older brother said he
appreciated the fact that I did the project
because mom's no longer with us.
God is so good!
We could have missed the opportunity, but God
had it in perfect order. I had never done a
documentary before, but everything fell into place. |
|
DIB: |
Speaking of family, you interviewed your
father’s sister in the documentary. How has his
side of the family responded to it? |
|
TDP: |
It’s funny you
should ask. They haven’t seen it. Everything
happened so swiftly. I was re-editing the piece
for the Black Harvest Festival and didn’t have
the chance to get copies to everyone.
I’m working on
that now.
I really didn’t
focus a lot on my father in the documentary. I
tried to be fair because everyone has two sides
to their story. I didn’t know him that well
because I was four or five years old when he and
my mom split up. What’s amazing about my mom is
that she never really spoke badly about him. So,
we didn’t grow up with that. |
|
DIB: |
Is
your father still alive? |
|
TDP: |
He is; and he’s
living in a nursing home in Georgia. I found
that out when I called him this year. It was
really interesting. I didn’t quite know what to
say. Not that I was upset with him, or
anything, but I really didn’t have a
relationship with him.
Since then, I've
talked with him periodically.
He’s very
appreciative; and I think he’s a really nice
person. I can see my aunt’s point about
him getting overwhelmed.
I don’t think his situation was
all that unusual given the unemployment during
the sixties and seventies. I can imagine the
stress of not being able to provide for the
family. I’m not justifying it. I’m just saying
people deal with pressure differently. Some
people can deal with a lot more than others.
Some people just cave it. It’s unfortunate, but
it’s a reality, I think. |
|
DIB: |
As a viewer, I thought you handled your father in a
balanced way; and I found your mother to be
extremely fair when she acknowledged her role in
the break up. |
|
TDP: |
That means a lot
to me. I wanted to be fair.
I didn’t want to
take away some of the things that happened. I
toiled with that. I wanted to stay true to the
experience that my mother had, because it was
her story.
My father did what
he could. It wasn’t enough, but what can you
say?
My mom never
degraded him. She understood that we are the
seeds of both of them, and
when a woman tears down her children’s father,
she's also tears down her children. Mom
was never like that. |
|
DIB: |
In
the documentary, your mother talks a lot about
her grandmother. Why did they have such a
special relationship? |
|
TDP: |
My mother never
really talked much about her upbringing. The
documentary was the first time I was able to
piece together what my mother’s life was like.
It’s kind of sad how you can get so caught up
with your own issues that you don’t really take
an interest in your parents’ lives.
My mom was born in
Port Gibson, Mississippi, and she was raised by
her father’s parents, Berry and Winnie
Miller. She lived with them up until the
fifth grade.
In the
beginning, my mom was with her mother, but that
was only for a little while. Her mother
was having a hard time. So, she stayed with her
father for a while, but he too was dealing with
a lot of stuff. She ended up with her
paternal grandmother, who wanted to adopt her
and take care of her.
After my great
grandmother passed away, my mother went to live
with her father in Chicago. |
|
DIB: |
Your mother might have lived with her
grandparents for only a short while, but they
had a profound affect upon her, especially her
grandmother. |
|
TDP: |
She did. My
mother received a lot of love and independence
from her grandmother. They had many conversations, and I think my mom became a
thinker because her grandmother used to talk to
her and encouraged her to think for herself.
Her grandmother also taught her many lessons
about life.
All of those
things my mother passed on to us.
My great
grandmother was a teacher as well, and I think
that influenced my mom who was totally driven by
education. She instilled in us the importance
of education. |
|
DIB: |
I
was surprised to see Ed Gardner
in your documentary. He was the
founder of Soft Sheen, which was a leading black hair care
company in Chicago. What is his connection
to your family? |
|
TDP: |
Ed Gardner is a
wonderful man. I use to dance; and the Regal
Theater use to have dance competitions. (Ed
Gardner and his family developed the Regal
Theater on Chicago's Southside) I was one of
the winners. The prize consisted of a little
money for school, and lunch or dinner with Mr.
Gardner. That’s how I met him.
After he found out
about our family, he fell in love with us and
became a surrogate dad to me.
He invited the
family to many events, including Bulls games.
He
has been a great encourager to me and a source
of inspiration. He has a real wealth of knowledge
and continues to support me
simply by
having the utmost confidence in my
abilities. Although he has touched the lives of
my entire family, Ed Gardner remains both a father figure and a friend
to me. |
|
DIB: |
When it’s all said and done, what
do you hope people will take away from your
documentary? |
|
TDP: |
My mother’s
experience speaks to the importance of
parenting. Parents are responsible for how
their children live their lives. People cannot
haphazardly raise their children if they want to
have whole and happy human beings, if they want
their children to have confidence and to believe
that they can accomplish things.
My mother went
through a lot of things that I never knew she
was experiencing. She taught us not to project
our pain onto others. Instead, she taught us to
express positive words, thoughts and energy.
I took that a
little further, and maybe my mother did as
well. I feel as though I’m a representative of
God, and when people interact with me and I’m
acting ugly, I do a disservice to God and
everyone else. I believe my actions should
represent God, my parents, and the best of
myself and my family.
Family is very
important to me, without them, the documentary
wouldn’t have been. You saw it at the second
screening, all the support and love.
It was my sister,
Sharon, who told me about the Black Harvest
Festival. At the time, I was overwhelmed with
other things, but she encouraged me to get it
in. I asked my sister to spearhead the effort
in Chicago since I was busy working on a project
in Los Angeles. Sharon and my brother,
Reginald, got the sponsors, the poster for the
documentary, the palm cards that were passed
out; and they sent out all of the e-vites. They
did everything. They were phenomenal.
So, the
documentary really is about love, love between a
grandmother and her grandchild, a mom and her
children, and love between siblings. |
|
DIB: |
What’s next for you? |
|
TDP: |
I am currently working on several feature film
and television projects
and my goal is to
develop an EXTRAORDINARY documentary series.
Mom was great and
we all love her, but there are so many stories that
can be told about other amazing people in our
communities – ordinary people with extraordinary
journeys.
I think
it’s really important for us to tell our own stories.
I'm currently in the process of securing
another EXTRAORDINARY story of another ORDINARY
woman.
There is so much
negativity on the talk shows and on the news;
and yet there are so many
stories, visions and dreams that could be of
service - that could touch and inspire others.
I want to bring
forth positive stories. People need the hope
and inspiration to live better lives. I'm
seeking investors to enable me to document
these stories and to get them out there.
|
|
DIB: |
Well, Tracie, I wish you much success with your
projects and thank you for sharing your story. |
The End

|