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by Matthew
Jones
In
keeping with the increasing demands of the
consumer, and the fragmented interests of the
global marketplace, the agency model has changed
dramatically over the past 10 years. No longer
limited by the boundaries of traditional
advertising, agencies have been creating a
record number of subsidiaries and specialty
shops – reorganizing across a variety of
marketing disciplines, including Direct
Marketing, Ethnic Marketing and Internet.
Yanti Arifin is among those defining the
industry’s new and best practices.
Tribal DDB Chicago,
the interactive arm of DDB Chicago, has
just elevated Arifin to Director of Creative
Services, where she will oversee the
creative process and product for all the
agency’s clients, including State Farm,
McDonald’s, Betty Crocker and
Home Depot, among others.
Her charge will not be an easy
one. In a field cluttered with banner ads,
pop-up alerts and unsolicited email, getting
positive brand messages through to target
consumers is more challenging than ever before.
The controversy over aggressive Internet
advertising has even reached the legislative
level, where lawmakers are seeking new ways to
protect consumers from unwanted contact.
None of this, however, will
affect Arifin, or Tribal DDB, for that matter.
She views intrusive tactics as outdated and
ineffective. Recently appointed director of
creative services, Arifin plans to continue to
follow the agency’s philosophy of drawing
targeted consumers inward to the clients, rather
than blindly sending messages out.
“We’re very much a
permission-based agency,” said Arifin regarding
her philosophy on effective Internet marketing.
“Our job is to create a demand for the brand.
We’re not just throwing products at people – we
get customers to reach out to the client.
(Intrusive marketing tactics) hurts the brand.
As an agency, we don’t believe in that. You
have to love your customer.”
In keeping with Tribal DDB’s
mission to bring “humanity to the Digital Age
with brand and business ideas that stimulate,
respect and serve consumers,” Arifin will
oversee a professionally diverse pool of
employees dedicated to bridging the gap between
clients and their targets. Tribal DDB is
comprised of a broad selection of talent, with
each member bringing a specific and unique
perspective to the creative process.
“That’s the beauty of Interactive
marketing,” said Arifin. “We’re all from
different areas of design and advertising. Some
of us have grown up on the agency side; some
have grown up on the design side. Some even
have a consulting background, or a technical
background. We’re all different.”
Arifin: Breaking
New Ground
Arifin’s path to advertising was
a relatively straightforward one. She was
initially studying graphic design at the
Academy of Art College in San Francisco,
when she came to feel that it was “too rigid –
with all the rules, formats and formulas.” As a
free and creative thinker, Arifin wanted
something a little less linear.
She also had a feeling early on
that she was meant to make a difference in
whatever industry she chose. For Arifin,
advertising held a greater potential for her “to
be a pioneer. It’s more chaotic, less
formulaic. And there’s a greater potential to
break new ground.”
The advertising world, despite
all of its recent advances, is largely dominated
by Caucasian men. But this has not deterred
Arifin, who is consistently breaking new ground
in her career. Today, Arifin is one of a very
few Asian women who yield considerable power in
the industry.
Her success, however, is not
calculated. Arifin’s blistering pace has
required her to bulldoze over obstacles and
prejudices without breaking stride. Arifin told
dib that she has not noticed a lot of
racism in her personal business dealings, but
she said being a woman has brought its share of
challenges.
“It’s a very male-oriented
industry,” said Arifin of marketing. “(In the
interactive industry at large) there is still
about 90 percent male leadership. Any obstacles
(I have personally experienced in the industry)
have been more gender-based.”
Arifin has been able to work
through those challenges, mostly by not paying
much attention to them. Instead, she chooses to
focus on the positive traction she has been able
to generate in her career.
“I don’t dwell on it – I move
on,” said Arifin. “I’ve always been an
anomaly. I have developed a comfort level with
it – I actually thrive on it. I’m not your
typical creative director. I see that as an
advantage. I try not to look at it as an
obstacle.”
As Arifin sees things, equality
will not come from external forces, but rather
from within the industry and the individuals in
it.
“(Positive change) will not
happen (as a result of) outside pressure from
organizations,” said Arifin. “It’s always good
to have pressure to change (from activist and
professional organizations), but until then,
it’s the people who have to make the
difference.”
Diversity and
Adaptability
Arifin has certainly made a
difference for both her agency and her clients.
Much of her success comes from the usual
attributes of successful people – hard work,
intelligence, and just doing the best she can.
But from her view, the one element that truly
sets her apart is clarity of thought.
“I have the ability to clear out
the noise,” said Arifin of her talent in
screening out the marketing jargon and
double-speak to address the issues at hand. “I
like to take a pure, simple approach – find the
clean, logical way, and strike a chord with the
customer. I keep a radar on what people are
thinking, needing and looking for.”
She brings that radar into
meetings and creative pitches, as well. Using
that radar, and her intense listening skills,
Arifin said she often finds that special moment
in her presentations – that moment where it’s
“in the bag.” Her confidence is rooted in the
timeliness and accuracy of her intuition.
Arifin also puts a lot of stock
in her ability to develop her team members. By
putting her team first, she has been able to
exercise leadership in a way that is most
comfortable for her.
“As a leader, it’s not your job
to be the guru or the rock star,” said Arifin on
her philosophy of developing her team. “It’s
your job to create the foundation to bring the
guru or the rock star out of your team. A
leader creates new leaders. I’m in service to
(my team).”
By keeping the focus on her team,
Arifin is able to concentrate on helping her
people be the best they can be, while at the
same time, fostering an atmosphere of
creativity, teamwork and loyalty. That’s a key
advantage in an industry that lives and dies on
its ability to attract new talent.
“I go out of my way to get (hot
new talent),” said Arifin. “Then, I go out of
my way to keep them.”
She goes out of her way to
protect them, as well. According to Arifin, her
loyalty to her team is one of the reasons she
has enjoyed the success she has had so far.
“I’m an advocate of the people,”
she explained. “I recognize my job as a
provider for talent. I look out for my people,
and my team.” By being loyal, open-minded and
adaptable, Arifin has been able to build a
powerful creative team that shares her values.
A quick look at Arifin’s personal
history helps explain her adaptability, and her
unique perspective in the workplace. Born in
Tokyo, Japan to an Indonesian mother and a
Chinese father, Arifin’s world has always been
multicultural. Her father did not want her to
go to an Indonesian school, and her mother did
not want her in a Chinese school. As a rule,
they spoke English in their home.
Ultimately, their conflicting
desires for Arifin’s education placed her in the
American International School system, which in
its own right was a highly diverse place –
culturally and linguistically. As a result,
Arifin enjoys “an open-minded view of the
world.”
While her parents had a different
view of her education, they certainly are not
divided in their pride in her success, although
Arifin admits they don’t totally understand what
she does.
“I tell them I’m in digital
marketing and their first thought was ‘Oh, you
do those annoying banner ads,’” jokes Arifin.
“I’m also their 24 hour help desk person. Any
computer questions in the family come to me.”
The End
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